Showing posts with label cinema. Show all posts
Showing posts with label cinema. Show all posts

Saturday, June 29, 2024

Cinema presentation of my documentary "The Picnic" at The Brattle Theatre in Harvard Square, Cambridge MA!


 My documentary "The Picnic" is playing July 20, at 3:30 pm at The Brattle cinema in Harvard Square Cambridge! The doc is about the 50 years of the legendary comic book store I used to manage a very long time ago and is still there, very close to the theatre. Some of the interviewees will be in attendance as well! 

This was a long, multi-year project made possible by donations of many people but particularly Denis Leclerc and Spike MacFee (the first employee of the Picnic who sadly passed in 2019.)

If you or anyone you know would be interested and can be there please show up, it would mean a lot to me, the store and those who are in the documentary. 

The Brattle:  40 Brattle St. Cambridge, MA 02138Saturday, July 20  -  3:30 pm    40 minutes 



Sunday, September 13, 2015

When Magazines Were Everything

Before the internet, nonstop cable TV and even before television itself, magazines were the only place to get information on movies. Growing up I had limited access from the connivence store but after me and several friends started to branch out into corner stores all over the place we suddenly found a wealth of zines that suited our tastes. 

Seems, to me anyway, the 70s were a great time to be a film buff- especially a genre one like me and my pals. Not only were there monthlies to get, but occasionally a film would merit a special one time only issue...there was a King Kong (the original King Kong) retrospective that was double the pages (and price) which went over the film's history, effects, and influence and included tons of behind the scenes and production photos. We were always on the alert for this sort of thing as most places would get only one copy. That started to change and soon we were finding a small library of material being released every month. 



Preview Magazine
This publication seemed to have Sybil Danning on almost every cover and occasionally Caroline Monroe. To be honest, it was as close to a girlie magazine we could get away with as the articles were often secondary to the sexy photoshoots.

Starlog
The legendary sci-fi media magazine.I had every issue for several years. We take for granted the never ending stream of information, media and speculation genre films produce now, but at the time starlog started, it was pretty much a lone voice in the wilderness for sci-fi fans. Every issue is available online! 

Cinemagic
A spin off of Starlog, this was the most inspiring thing ever for aspiring film makers and effects artists, it told you in step by step detail how to produce your own effects for your super 8 productions! Also available online! 

Fangoria
Information on horror films but also « how to » sections on how to do make-up effects... again for your super 8 masterpieces. This magazine was still being published until very recently and outlasted the other Starlog press properties.

Film Comment
One of the greats (and still is from what I hear) intellectual film magazines. It chose not to take the stock publicity images but pick shots from the films themselves really stood out for cover images. They had in depth articles on foreign and little seen films while publishing at the excruciatingly slow rate at only one issue a year a several points. Site

Cinefex
In a way, the Film Comment of special effects magazines. Great covers, in depth interviews and in a great square format. Also like film comment, Ii had a very very slow release schedule but continues on today in digital form where you can access every single issue on your mobile devices. Site

Cinefantastique
A little less highbrow but very entertaining magazine with lots of photos and talk about what was being released. They had a very fun podcast until recently. It seems to be out of production… but there a website still but that seemed a little out of date whenI looked. 


This list is a personal one but it doesn't even touch on the fanzines... which are another discussion entirely. 

How did film magazines enhance your film going experiences? 

  




Tuesday, February 18, 2014

The Rep

A quick, unendorsed recommendation of a film I haven't seen yet. Weird, yes, but after hearing a wonderful podcast on it, it seemed like something a Slammer resident would look into. I know  wanted to make a documentary on the same subject so I'm glad someone did!

The Rep - a documentary about repertory cinema. 

Saturday, May 15, 2010

Peter Serafinowicz on Media Theft


 Link at pic despite blogger's new suckish interface - also here
I'm a big fan of this guy and his "bad habits" are no less than what I would expect from any self respecting British comedy production perticipant. From Gizmodo. Peter Serafinowicz: "Torrenting is probably too hassle-y for the average viewer: Installing Transmission, VLC, perhaps re-encoding to watch on my TV—but I'm pretty techy (ok, a geek) and have been doing this for years. ......................In the meantime, I'll be suing myself for pirating my own show. And I'm pretty scared, because I have an amazing lawyer."
Link to article

Friday, February 26, 2010

Old Hollywood

Take a look at this gorgeous Tumblr.

And oh yes, that's a still from William Dieterle & Max Reinhardt's A Midsummer Night's Dream - the movie that Kenneth Anger lied and said he was the Little Prince Changeling in! During one of my insomnia cycles, I used to like to fall asleep to that movie. It's so beautiful. The only film Reinhardt ever directed here.

Wednesday, January 6, 2010

L’Âge des ténèbres


The latest film by Denis Arcand is a mixed bag, but overall a very interesting piece of cinema. Certianly not as powerful as «L’Invasion barbares» it, nevertheless has some very poignant and funny moments in it.


Marc Labrèche is perfect as a completely stiffled by his marriage , job and life dreamer, living through his fantasyworld to escape it all. ( For an actor known for extreme farce, he’s very appropriately subdued here.) For the most part his fantasies are pretty banal and involve having semi public sex with beautiful women, In all these sex fantasies, the situation, dialogue are pretty much the same without any notable variation, hinting that he might not have have much imagination to draw on. Other imaginations are also quite banl... winning a litrary prize, being a Roman emperor with his boss as slave and such . The opening and closing dream-like sequences, however, are inspired and involve Rufus Wrainwright singing french opera (I will add, very effectively).


The world in this film is bizzare and so Québec-centric I wonder if anyone who doesn’t live here will get many of the jokes. Labrèche’s position as a government worker taking complaints in the Montréal Olympic Staduim, re-purposed as a government building is full of commentary on Québec politics, red tape and such.


The film has touching moments such as the visits to the hospital to be with his alzhiemer’s infected mother and even some scenes with his disconnected family. The successful wife who is literally 24/7 connected to the office and the children who barely notice their father exists despite his half hearted efforts to engage them. When he leaves his wife finally and she chases him down the street telling him what a failure he is and he stops to say (roughly translates) «I never thought there would be a day I would say I could kill you, but now that is not unimaginable» really struck me.


I also like that Arcand does not make the story all one sided. There may be reasons why his life is this way and there are hints that what we are seeing through his perspective maybe be more than a little skewed in his favour. Examples of this are when he has quit his job job and on his way out the door, his uptight boss we have been primed to think of just an evil corporate oppressor is not overjoyed to get rid of him but almost in tears as she must tell him his mother has just died... she really feels for him. At the end of the film when his wife brings his stuff to him at the place he is staying, his family is not so cold and distant. The oldest daughter is quite kind and his wife is not on the phone but sweetly smiling at him and the love she felt/still feels for him comes through.


There is also a strange seemingly off the path segment at the time involving a group that acts out their «Middle Ages» fantasies, dressing as knights and princesses to escape the modern world. (This is actually a big thing here in Montréal - don’t ask me why - I really don’t get it). He has a chance to join them and live out these fantasies with an attractive young women. You’d think this is exactly the life he’s been looking for but he rejects it all and his own fantasy world in order to live and accept life as it really is.


Is this movie for anyone? Certainly not. many critiques hated it in fact. It's not my favourite film, but certainly is worth a look at.

Friday, November 6, 2009

Grande Ourse (2009)



Grande Ourse was a TV show from the years 2004-2006 about mysterious goings on in a remote mining town in Northern Québec. This a film based on those characters and actually spring from the storylines at the end of the show’s run, but manages to not make it a requirement to have seen the show in order to follow what’s happening on screen.

The movie is intriguing and the storyline twisted.. it follows into quite a few alternate realities, and delves into it’s own brand of occult and paranormal tangents. The 3 main characters are all from the original show and played by the same actors. Louis-Bernard Lapointe (Marc Messier) as the reporter turned clairvoyant, Émile Biron (Normand Daneau) his doting assistant and boyfriend to Gastonne Béliveau (Fanny Mallette) a police officer who seems to take her gun out at the sign of.. well anything. Even while following an unarmed old woman and child through the streets. She doesn’t hold it right either, which distracted me a bit.

The cinematography is really excellent. The abduction of one of the main characters is really creepy as is the «witch» who looks like a real version of a Brother’s Quay puppet. Her little boy companion does traditional Québec dances, which are creepy enough to me (just watch any episode of «Soirée Canadienne»). There is different lighting and colour treatment for each «reality» which helps keeps things somewhat straight in your head... the story is too odd to desribe without ruining something in the plot. I will say the film is not over when you think it is and some important questions are answered (sort of) by a funny one liner in a little epilogue.




What I really liked about it most of all was the world it presented... very original yet gothic horror in many ways. The story was not rushed, there are no real «action» sequences or explosions, just an engaging and challenging plot to keep you guessing what will happen next.

I am not sure if it’s available in the USA... it says it has English subtitles, but I didn’t actually bother to check if it really did of how good they were. In many ways, the series was Quebec’s «Twin Peaks» and this film does the legacy justice I think.