Showing posts with label Ethan Hawke. Show all posts
Showing posts with label Ethan Hawke. Show all posts

Saturday, November 13, 2021

Tesla (2020) directed by Michael Almereyda


 I fully prepared to fall asleep during this movie... not sure why I had that attitude because it flew by as I watched it. Not that it was action packed but because it's slow pace works so well with the performances and odd editing and anachronistic touches keep your attention flowing along with it. 

I thought this was going to be a dramatic telling of the life of the inventor Tesla and a period piece. It isn't exactly that. It is more like a documentary with enactments told by one of the historical figures in the story, Ann Morgan (Eve Hewson). Her character swings between a being present in the story of Tesla and modern day where she is using a computer to search for information on the other historical figures throughout the film. The editing is pretty brilliant... cutting between complete period recreations to actors superimposed in front of period images to standard documentary techniques like panning across photos. 

It works.. somehow. The actors are all super. Ethan Hawke as Tesla starts  was so unlikeable that I wondered if this was going to be one I had to abandon part way through but he really manages to grow on you and open the character up. Kyle MacLachlan plays Edison and I totally bought him in the role. 

A big plus for this movie is how it doesn't worship Tesla and overplay his achievements which was amazing and important but he also made some unsupported leaps of logic with devices that were less than successful. This may or may not give a reality  based portrayal of the great inventor but it does come off that way. 

Monday, March 23, 2009

Before the Devil Knows You're Dead

Lumet is relentless, both in his career and his direction. This is two hours of, "Why did I do this?!?!? Not the characters, ME." There's poetry buried deep in the dialogue by first timer Kelly Masterson. That guy who cheated on Uma does a great job, and looks like a first class hapless dope through most of the film. Philip Seymour (did-you-know-I'm-in-every-movie?)Hoffman's pink carcass in the beginning acts as an allegory for his overall persona - florid and heaving, not sanguine, yet remaining in the act, yet remaining as relentlessly as Lumet;'s presence until the end..