Frankenstein (2025) directed by Guillermo del Toro

Based on the 1818 groundbreaking classic novel by Mary Shelley, the film stars Oscar Isaac, Jacob Elordi, Mia Goth, and Christoph Waltz. All of them giving good performances. This well-known highly influential tale has been told over and over and never, like most book adaptations, comes close enough to the source material as it should. 

At 2 1/2 hours, this is a long film. It mostly looks fine, but it is too evenly lit for me, considering the subject matter and has a video game cleanness about it that takes away from the gothic horror of it all. If anyone can make a monster sexy, it's Guillermo del Toro and this version of Frankenstein's creature is pretty sexy despite being made up of bits and pieces of dead criminals and soldiers. Alordi has very expressive and kind eyes that show the character's inner goodness that has gone  south because of his mistreatment and uncaring creator. Isaac is wasted in this role and he tries to bring something to not well written role. We feel nothing for him or really any of the other cast members. 

The start of the film and introduction to Frankenstein and his obession to create life is too long and we never see anything that leads to understanding his motivations except on a superficial level. The sets look good but also, in my opinion, lack the imagination del Toro has put into other projects. We see only a hint of the deep themes of the book and the rearranging of the characters and introduction of romance plot(s) add nothing to the endeavour. The monster's tale part of the film is where it picks up and has some real heart in it but even then it misses the mark more than it hits it. There are several scenes that we should be crying from the events affecting the characters but it never gives us enough reason to care about them to reach that emotional place. 

It's not a terrible movie its just sort of meh from a talented director we expect more from based on a story that has never been truly told faithfully. The Branagh version is closer to the book with a very notable exception at the end. This version changes the story in superficial ways that take away from the genius of Shelley. 

The Shape of Water (2017) directed by Guillermo del Toro

This film has had a lot of lead up to its release. Limited releases had critics swooning and the internet, being the internet had all sorts of opinions about it ahead of its release. Is it a remake of Creature from the Black Lagoon? Is the monster a retread of Abe Sapien from Hellboy, a previous del Toro film?

Firstly, the film is excellent. It is filled with tropes we are all familiar with but they are presented in new ways and the performances have been lauded for good reason. Sally Hawkins is, as usual, amazing but she is given addition support by everyone else in the cast. Not one bad performance in the entire picture. Doug Jones, who is making a career by playing creatures it seems, is the man in the monster suit but - again as usual - he elevates it to something so much more.

The story is simple enough. An amphibious creature is kept in a secret U.S. government facility in the 60s and is experimented on for possible use winning the space race. The Russian have spies in place who want to take it or kill it, doesn't matter as long as the Americans don't learn anything from it. A young mute cleaning woman befriends (and more) it and learns to communicate with it and eventually helps it escape while the government forces lead by Michael Shannon try to recover the creature.

Its not the story but how it and the characters in it are handled that sets this apart from a B movie horror film. Michael Shannon is less evil and more just a total douche bag, having bought into every single character trait that was wrong but encouraged by much of society at the time. He is sexist, racist to be sure but it's how those traits are portrayed that make it work. Del Toro does a great job showing less over the top bigotry and goes instead for that kind of bigotry that masquerades almost as politeness. He repeatedly asks the black cleaning woman (Octavia Spencer - again so good in this) if she understands a word he just used when it's plain who the ignorant one the conversation really is. Richard Jenkins plays Hawkins older neighbour who is surely gay, but who, like many gay men at that time, doesn't seem to really understand his sexuality and pushes it to the back and instead prefers to live in the world of old movie musicals ( in a way that somehow comes of as not stereotypical). A minor character, the soda jerk is revealed to be a real jerk over time. At first he seems like a sympathetic ear to Jenkins' character but he personifies the underlying bigotry of that era pretty well when he refuses to serve black customers and rejects Jenkins the instant he innocently touches him on the shoulder and then bans him from the soda shop because it's a "family place".

The look of the film is everything you'd expect from a del Toro film, lush, detailed and a little surreal. The effects are seamless. In fact, as I read the end credits it was amazing to see how many post production people there were. Its proves you CAN have CGI in a film that actually works invisibly to enhance a film instead of taking you out of it. The music is not intrusive either but like the effects enhances the experience. Production wise there is nothing to complain about in tis movie.

Things I did not like as much in this movie are things I don't like as much in many other movies though you can find good reasons for them to be included in this film. If you don't like nudity in movies, this has a bit of it and like many de Toro films there is some graphic violence (especially involving cheeks - what's up with that in his films?).  As I said earlier there are many tropes in the scripts, it really does not go too far from convention plot devises and ends exactly how you would expect it would. I wish he had dropped in a few surprises in that regard.

Worth seeing? Absolutely! As good as his earlier film Pan's Labyrinth? Don't be crazy, that is a bar far too high to jump over more than once in a career. He may yet do it again, but the Shape of Water is not that movie.