Monday, November 18, 2024

The Time Machine (1960) Directed by George Pal

 

George Pal made a few iconic science fiction films and this is up there with version of War of the Worlds which also was from a book by HG Wells. It is the story of a man obsessed with time who arrives late for a dinner with friends at his own house in a terrible state. He is cut and exhausted but insists he tell the story of what happened to him. He has discovered a way to move through time, but not space, using a very cool looking victorian machine that is worth watching the movie just to see it. 

With this device he has travelled to the distant future where humans have been divided into two distinct species. One docile and dependent on the other aggressive and living underground. Our traveller meets a beautiful girl, don’t they always, and finds himself trapped in that time period when the aggressive race, the Morloks, drag his time machine into his layer behind doors he can’t get through. 

There is plenty of of adventure that follows but before all that we a treated to a few great moments of him moving through time, stopping a few decades later when he meets his best friend’ s adult son, who wasn’t born when he got into the device and then decades later still when a nuclear bomb goes off forcing him to jump into the far future. The passing of time is demonstrated by a women’s dress shop window at first and with stop motion, it shows time by the animation of the changes of the dresses in the window display. 

I don’t want to spoil the movie, old as it is, because its old enough that younger people might never even heard of it and its worth saving it surprises for them. The costumes and make up is great and the special effects have a few weak points but mostly still work today and have that look that War of the Worlds and his other Sci fi film When Worlds Collide have. Its distinctive and wonderful. The players are all good, I like the maid a lot and Rod Taylor is perfect as the scientist. 

A hit when released, it stands up by keeping the exposition to a minimum and the story moving always forward… well when it isn’t moving backward in time. 

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