Thursday, December 28, 2023

Godzilla Minus 1 (2023) directed by Takashi Yamazaki

 


I will admit that after seeing trailers for this film, I was excited. It looked AMAZING and the setting, post WWII Japan was intriguing since Godzilla was not supposed to appear until the 50s when the first film was released. 

This is, in many ways, a return to the tone of the original Japanese film although I was glad to see it was not as big a downer as I anticipated. It's no laugh riot, but in a film about lost hope, lost honour and loss of everything, it had its uplifting moments. I was not sure what the title meant but (thanks to my friend George) it was cleared up for me. Japan is literally starting at the lowest point in its history... zero at the film begins and then it manages to drop even lower, to minus 1 when Godzilla arrives and makes things even worse. 

The leads are a Kamikaze pilot who is dishonoured by living through the war, a homeless woman who has found and decided to take care of a baby which makes her also dishonourable in may people's eyes who assume she is a prostitute and how they eventually come together as a family of misfits trying to figure who they are after the devastating war. In my assessment, Godzilla is the representation of that devastation and loss after the war as he comes in keeping anything from being rebuilt and no one can move on while he is proving how small and weak humanity is compared the the terrors the have released on themselves like the bomb, the war and of course Godzilla itself. 

Despite the heavy subject matter, this movie is still, at is roots, a giant monster movie. The integrate the original Godzilla theme music, come up with ridiculous ways to destroy the menace, destruction is everywhere and it even manages to reference previous films without being too "canon driven". There are extremely sad parts and the willingness to talk about the how the Japanese government put very little value on human life while fighting the war was refreshing. The Americans are not shown as being all that much better in the end. It's a rare kaju film where the human characters are not just front and centre but the  driving force of the plot. It really works. There is real drama in here without Godzilla having to show up at all, but boy does he ever show up. Massive and looking better than I have ever seen despite a low 15 million budget as opposed to the American Godzilla films which I believe average 200-300 million each and are not nearly as interesting to watch. He is massive, scary and his look references not just past versions but mythological dragons. It is an unstoppable force of nature brought to life by atomic bomb tests and is now asserting its dominance over us. It is treated as a real living creature and as our punishment for being into being in the first place. 

Of course no movie is perfect. I would say 20 minutes could be cut not because it drags but because I think a quicker pace would make it even more exciting to watch. I also found the end a little too Hollywood for me which robbed it of some of it's most powerful scenes of loss. There is also a very clear leading into a next film, which I will see 100% but I don't think we needed it. 

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