Friday, June 3, 2011

L'illusionniste (2010)


L'illusionniste (2010) 80 min  

Director Sylvain Chomet and the team that made «Triplets of Bellville» have made a new animated film that is truly amazing to see. The characters studies are wonderfully subtle and look and colours are amazing. Like «Belville» this Belgian film really is beyond language. Most of the dialog is unintelligible and while you might catch a french or english word here or there... it isn’t really important as the entire story is told visually. Only a note at the very end of the film is important in terms of story.. very important, though reading it on the note or in a subtitle wont take away from the experience.

The only flaw in this film is one clip that is a little too computer generated and it passes quickly. Like most hand drawn animations, physical items like cars or other solid objects are occasionally rendered with CGI but match really well with the detailed characters and painted back drops.

The story is a bitter sweet one, following the degrading career of a magician forced to go into smaller and smaller venues as the call for his sort of entertainment dwindles with the public tastes. A young girl at a Scottish pub where he is performing thinks he is really magic (this takes place before the second world war) and she decides to follow him on his travels. he reluctantly allows her and while he tries to tell her he really isn’t magic, he nevertheless tries to realize her dreams, even if it means making his life more difficult than it already is.

In many ways this is a film by animators for animators but it’s sweetness and ambiguous storyline should appeal to anyone.

2 comments:

glyphjockey said...

oooh - I was really left froid by this. It has its moments, but I was expecting more than Belleville, more than Tati, and it IMHO did not deliver.
Conversely, it was visually exquisite, and done in a style that, I am afraid, is dying, and that was an aesthetic comfort.

Behemoth media said...

Well I can't disagree, it's hard to know wether to feel bad or not for the old man or the girl in the end... or neither. Disney is bringing back it's traditional animation, or so it says. Princess and the Frog was traditional and really well done. There is certainly room for both and traditional is really beautiful in a way CGI just can't match.