Saturday, June 24, 2017
One of the difficult things with adapting other people’s stories for films is the baggage that comes with some of them. Many times it’s just odd plot machinations or maybe older references modern people have completely forgotten. Sometimes, it's much more delicate.
H.P. Lovecraft was notoriously racist. There isn’t much of a debate about that. He wasn’t pulling an Eminem, saying he was just writing characters who happened to be racists. He was saying Italians are a filthy race living in squalor (as just one example) in stories, correspondences and personal interactions. I would argue it’s much less present in his literary work than his personal life and some of the offensive stuff in his writing might be us putting our modern sensibilities over those of a time where racism was open and common - but I wouldn't argue it’s not in there or acceptable.
Gothic horror stories and many stories from that period in general, including Lovecraft’s, have an inherent sexism as well. The protagonists are almost always male, and often there are no women at all! When women are present they are often victims, or sickly or at the mercy of some guy she married. To be fair, that was the case for many women at the time so it’s no surprise that’s how they were represented in fiction.
So, why would I choose to make films from such problematic source material? For one thing, the stories themselves are fun, amazing, scary and have attracted me since I first learned to read. They are not about being racist or sexist, they are just trained by those elements. Since the authors are dead and the stories are for the most part in public domain, they are a rich source of ideas a poor filmmaker like me can actually make use of. As time goes by and immortal corporations have begun to own everything for forever and a day, making freely adaptable material more and more rare.
In the case of my Lovecraft films, I easily can cut the stuff I like out. In fact, it never has anything really to do with the basic story so it’s never missed. I am also not lining the pockets of some bigot with cash in order to make them. Despite his influence on the horror genre, he is still relatively unknown in the world at large and, face it my little films won’t change that. His stories are also simple enough at their root to cut down to 2-4 characters and a few settings. This is vitally important when you are a one man show making an animated film by yourself with no budget.
Sexism in gothic horror in general is little harder to get around and I haven’t been able to do what I would like to change them in a way I think would work. I have exchanged some men’s parts for women but then I can’t get a woman voice actor to record the part. The doctor in Cool Air would have been a woman if I could have found someone is one example. I added a mention of a sister in Staley Fleming’s Hallucination just to have the mention of a women, even though in that mention she is the grieving fiancé.
In conclusion, I guess I still have some way to go to combat the problems in the stories of others I am telling. like many things, some of it because of budget, resources etc is beyond my control - but I do try.
Wednesday, June 21, 2017
Ok, I admit, this is a mainstream kind of film to appear here on the Slammer. That being said, there's this new sequel coming out and I couldn't be less interested. Ridley Scott, a director I've come to really dislike since his 1982 epic has decided that there needs to be a follow up to the quasi-adaptation of the Philip K. Dick film that arguably made his name a semi-household name. "Blade Runner" is the one example I can give to people where the movie was, to me a far sight better than the material it came from. I've read some Dick (no joke here) and he just doesn't appeal to me. Characters are wooden and subservient to concepts that the stories explore. That's about the only thing that's really translated from the book to the screen in this movie and this is a good thing.
Monday, June 19, 2017
Saturday, June 10, 2017
My adaption of the short Ambrose Bierce story done in Cinema 4d with the voice talent of Mike Luce as the doctor.
Unlike the Lovecraft shorts I've done, this one needed some addition plot points to give the characters motivation and help it work as a short film. The written piece is very short and light on background details. Ambrose Bierce was not on my radar for this series of animation until he was mentioned by my friend Arthur Dion of gallery NAGA in Boston and I might take up another of his stories in future.
I think I continue to refine my animation and rigging techniques with this project. I also delved little more deeply into effects work with the spectral hound and the fireplace details. I also discovered limitations to C4D i wasn't aware of.. like simulated hair doesn't show up in operate passes, like the depth pass, making it difficult to add focusing effects in post.
Friday, June 9, 2017
This film follows the story of Tom a young man living in a Catholic seminary and also the lives of the Brothers who run it. Tom and the Brothers both have their challenges and stresses living within the framework of a religious institution and each deals with them in his own way. Some of the men in the order will "temp" their faith and resolve by going into town, drinking and then not picking girls in bars... but taking it just to to the limit of actually having sex. Tom's struggles are different as he tries to form relationships and live within the strict disciplines of the seminary. One of the most pious of the Brothers is tortured by fantasies of beautiful women as he keeps himself in shape by exercising and swimming and imagines them naked. This slowly drives him crazy by the film's climax, leaving all involved to question the sanity of the vows and strict rules they agreed to live by.
Nicely filmed and wonderfully acted, I found this small little Australian film a nice look into the struggles of some religious people and those left in their charge. The Brothers are shown as real men, struggling with faith and modernity and coming to terms with rules that, frankly, are harmful to any human's sanity. Nick Tate, who was Allan Carter in TV's Space 1999 plays one of the priests and i was surprised by his performance having only seen him in the space opera. (To be 100% honest, I first watched this film because I thought he was kinda hot in that show).
As I noted in a previous post, this film also used the "allure"of pedophilia in it's posters and ads and I find it disturbing and misleading. A film this good might need something extra to gets seats in the theatre filled but promising sexual assault on film should never be how you do that. This was long before the exposure of the Catholic church's rape cover-ups but it seems worse to do even in light of that.